{"id":6195,"date":"2012-07-11T21:00:16","date_gmt":"2012-07-11T18:00:16","guid":{"rendered":"https:\/\/e-marineeducation.com\/tr\/?p=6195"},"modified":"2013-03-07T00:52:55","modified_gmt":"2013-03-06T22:52:55","slug":"denizci-ressamlar-ismail-hakki-bey-husnu-tenguz","status":"publish","type":"post","link":"https:\/\/e-marineeducation.com\/tr\/denizci-ressamlar-ismail-hakki-bey-husnu-tenguz\/","title":{"rendered":"Denizci Ressamlar: \u0130smail Hakk\u0131 Bey, H\u00fcsn\u00fc Teng\u00fcz"},"content":{"rendered":"

\"\"<\/a>De\u011ferli okurlar; Temmuz say\u0131m\u0131zda da \u201cBahriyeli Ressamlar\u201d serimize devam ediyoruz. Bu ayki konumuzda ilk olarak Bahriyeli Ressam \u0130SMA\u0130L HAKKI BEY\u2019i (1863 – 1926)<\/span><\/em>\u00a0sizlere tan\u0131tmaya \u00e7al\u0131\u015faca\u011f\u0131z.<\/p>\n

 <\/p>\n

Sanatla kal\u0131n, sa\u011fl\u0131cakla kal\u0131n.
\nG\u00f6koval\u0131 Kay\u0131k\u00e7\u0131.
\n<\/strong><\/p>\n

 <\/p>\n

\u0130smail Hakk\u0131 Bey (1863-1926)
\n<\/strong>\u00dcsk\u00fcdar\u2019da do\u011fdu. Aynac\u0131lar kahyas\u0131 Hac\u0131 Mehmet Ali Efendi<\/span><\/em>\u2019nin o\u011fludur. Sanat camias\u0131nda \u201cBahriyeli \u0130smail Hakk\u0131 Bey<\/span><\/em>\u201d ve \u201cKaymakam \u0130smail Hakk\u0131 Bey<\/em><\/span>\u201d nam\u0131 ile \u00fcn yapt\u0131. Bahriye Mektebi\u2019nde okudu. Resme olan merak\u0131 hocalar\u0131 taraf\u0131ndan takdir ve te\u015fvik edildi. Harbiye S\u0131n\u0131f\u0131na ge\u00e7erek (1884), in\u015faiye (gemi in\u015fa) s\u0131n\u0131f\u0131ndan m\u00fclaz\u0131m (te\u011fmen) oldu (1886).<\/p>\n

 <\/p>\n

Bahriye Naz\u0131r\u0131\u2019n\u0131n dikkatini \u00e7ekmeyi ba\u015fard\u0131 ve Osmanl\u0131 Donanmas\u0131 i\u00e7in in\u015fa olunacak Ejder torpido botunun yap\u0131m\u0131na nezaret etmek \u00fczere Hamburg\u2019a g\u00f6nderildi.<\/p>\n

 <\/p>\n

\u0130ki y\u0131l kald\u0131\u011f\u0131 Almanya\u2019da zaman\u0131n bir\u00e7ok teknik yeniliklerini g\u00f6r\u00fcp, tetkik etti, bilgi ve g\u00f6rg\u00fcs\u00fcn\u00fc artt\u0131rd\u0131. Osmanl\u0131 Donanmas\u0131nda yap\u0131labilecek yenilikler hakk\u0131nda pek \u00e7ok plan, proje ve rapor haz\u0131rlad\u0131. Yurda d\u00f6n\u00fc\u015f\u00fcnde proje ve raporlar\u0131n\u0131 Bahriye Nezareti<\/span><\/em>\u2019ne verdi. 5 y\u0131l hizmetten sonra Bahriye ad\u0131na ikinci kez Hamburg\u2019a g\u00f6nderildi (1895). Ancak \u00fclkesinden g\u00f6nderilen maa\u015f\u0131 kesilince maddi s\u0131k\u0131nt\u0131ya d\u00fc\u015ft\u00fc, t\u00fcrl\u00fc g\u00fc\u00e7l\u00fcklerle kar\u015f\u0131la\u015ft\u0131 ve bu arada resim yap\u0131p satarak ge\u00e7imini temin etmeye \u00e7al\u0131\u015ft\u0131. Yapt\u0131\u011f\u0131 b\u00fct\u00fcn m\u00fcracaatlar dikkate al\u0131nmay\u0131nca \u00e7ok sevdi\u011fi Bahriye Subayl\u0131\u011f\u0131 mesle\u011finden istifa etti (1897). Hamburg\u2019da \u201cBloom und Voss<\/span><\/em>\u201d Tersanesinde sivil gemi in\u015fa m\u00fchendisi olarak \u00e7al\u0131\u015fmaya ba\u015flad\u0131. Bu d\u00f6nemde ayn\u0131 zamanda \u00fcnl\u00fc ressamlar\u0131n at\u00f6lyelerine de devam ederek, resim \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc. Gerek sanatsal kabiliyeti ve gerekse \u015fartlar\u0131n yaratt\u0131\u011f\u0131 olu\u015fumlar nedeniyle resim tekni\u011fini geli\u015ftirebilme imkanlar\u0131n\u0131 iyi de\u011ferlendirebilmesi, kendisine \u00f6nemli katk\u0131lar sa\u011flad\u0131.<\/p>\n

 <\/p>\n

Kuzey denizlerine yapt\u0131\u011f\u0131 pek \u00e7ok deniz seyahatlerinde, kuzey denizlerinin koyu renkli bulutlar\u0131n\u0131, k\u00f6p\u00fckl\u00fc dalgalar\u0131n\u0131, korkun\u00e7 g\u00f6r\u00fcn\u00fc\u015flerini inceledi. K\u00fc\u00e7\u00fckl\u00fc b\u00fcy\u00fckl\u00fc pek \u00e7ok sulu boya, guvaj teknikleriyle deniz resimleri yapt\u0131. Bu d\u00f6nemde renkli litografya ve grav\u00fcr bask\u0131s\u0131n\u0131 da \u00f6\u011frenmi\u015f, bu usulle bir\u00e7ok resmini de \u00e7o\u011faltm\u0131\u015ft\u0131.<\/p>\n

 <\/p>\n

Me\u015frutiyetin ilan\u0131ndan sonra \u0130stanbul\u2019a \u00e7a\u011fr\u0131l\u0131p r\u00fctbesi iade olundu ve binba\u015f\u0131 r\u00fctbesine terfi ettirilerek (1908) tersanede g\u00f6revlendirildi. Bir m\u00fcddet sonra da yarbay r\u00fctbesinde iken kendi arzusuyla Bahriye\u2019den emekli oldu (1914).<\/p>\n

 <\/p>\n

Son olarak \u0130stinye Tersanesine m\u00fchendis olmu\u015f ve \u00f6mr\u00fcn\u00fcn sonuna kadar burada \u00e7al\u0131\u015fm\u0131\u015ft\u0131 (1926). \u0130stanbul Pa\u015fabah\u00e7e\u2019de vefat etti.<\/p>\n

 <\/p>\n

\u0130smail Hakk\u0131 Beybir sanatkarda bulunmas\u0131 gereken b\u00fct\u00fcn meziyetlere sahip oldu\u011fu halde maalesef ya\u015fad\u0131\u011f\u0131 s\u00fcrece de\u011feri bilinmemi\u015f, hi\u00e7 kimseden yard\u0131m ve himaye g\u00f6rmemi\u015ftir.<\/p>\n

 <\/p>\n

Tablolar\u0131nda sular\u0131n k\u0131p\u0131rdan\u0131\u015f\u0131, dalgalar\u0131n \u00e7atlay\u0131\u015f\u0131, f\u0131rt\u0131nalar\u0131n hayk\u0131r\u0131\u015f\u0131 hissedilir. Suluboya, guvaj, karakalem, pastel ve ya\u011fl\u0131 boya teknikleriyle gemi resimleri, deniz sava\u015f resimleri pek \u00e7ok peyzaj deniz resimleri yapm\u0131\u015ft\u0131r. Eserlerinde desen ve teknik bilgisi, renk uyumu birbirini tamamlamaktad\u0131r. Denizin her t\u00fcrl\u00fc halini ustaca resmetmi\u015f, adeta denize ruh vermi\u015ftir.<\/p>\n

 <\/p>\n

Almanya\u2019da yapt\u0131\u011f\u0131 resimler \u00f6zel koleksiyonlarda olup, bilhassa Berlin\u2019de bir\u00e7ok koleksiyonda eseri bulunmaktad\u0131r. Berlin ve Viyana\u2019da a\u00e7\u0131lan (1918) T\u00fcrk ressamlar\u0131n\u0131n karma sergisine \u201cYavuz Z\u0131rhl\u0131s\u0131<\/span><\/em>\u201d, \u201cPortre<\/span><\/em>\u201d, \u201cK\u0131y\u0131 N\u00f6bet\u00e7isi<\/span><\/em>\u201d, \u201c\u00c7engelk\u00f6y S\u0131rtlar\u0131<\/span><\/em>\u201d adl\u0131 d\u00f6rt eserle kat\u0131lm\u0131\u015f ve \u00e7ok be\u011fenilmi\u015ftir.<\/p>\n

\""Yavuz
“Yavuz Muharebe Kruvaz\u00f6r\u00fc ve Hamidiye Hafif Kruvaz\u00f6r\u00fc Karadeniz\u2019de” \u0130stanbul Deniz M\u00fczesi<\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

\""Irresistible
“Irresistible Z\u0131rhl\u0131s\u0131n\u0131n Bat\u0131\u015f\u0131” \u0130stanbul Deniz M\u00fczesi<\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

\""\u00c7anakkale
“\u00c7anakkale Sava\u015f\u0131” \u0130stanbul Askeri M\u00fczesi<\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

\""E\u015fi"
“E\u015fi” R. Portakal Ar\u015fivi<\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

\""Portre"
“Portre” \u0130stanbul Resim ve Heykel M\u00fczesi<\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

Bu ay sizlere tan\u0131taca\u011f\u0131m\u0131z ikinci \u201cDenizci Ressam\u0131m\u0131z\u201d Katip lakapl\u0131 H\u00dcSN\u00dc TENG\u00dcZ<\/span><\/em> (1874 \u2013 1950)<\/p>\n

 <\/p>\n

H\u00fcsn\u00fc Teng\u00fcz (1874-1950)<\/strong>
\n\u0130stanbul\u2019un Cibali<\/em><\/span> semtinde do\u011fdu. Resim sevgisi \u00e7ok k\u00fc\u00e7\u00fck ya\u015fta ba\u015flam\u0131\u015f ilk sanat zevkini halk ressamlar\u0131m\u0131z aras\u0131nda bilhassa gemi ve deniz resimleri yapmakla \u00fcn kazanm\u0131\u015f olan Emin Baba<\/em><\/span>\u2019dan alm\u0131\u015ft\u0131.<\/p>\n

 <\/p>\n

\u0130lkokuldan sonra devam etti\u011fi r\u00fc\u015ftiye de resim \u00f6\u011fretmeni Fahri Kaptan<\/span><\/em> onun \u00fcst\u00fcn yetene\u011fini g\u00f6rerek resim \u00e7al\u0131\u015fmalar\u0131na te\u015fvik etti.<\/p>\n

 <\/p>\n

Deniz subay\u0131 olmay\u0131 \u00e7ok isteyen deniz tutkunu H\u00fcsn\u00fc \u00f6\u011frenimine Heybeliada Bahriye Mektebi<\/span><\/em>nde devam etti. Burada da ressam Ey\u00fcpl\u00fc \u015e\u00fckr\u00fc Bey<\/span><\/em>in yard\u0131m ve te\u015fviklerini g\u00f6rd\u00fc.<\/p>\n

 <\/p>\n

Mektebin son s\u0131n\u0131f\u0131nda iken hastalan\u0131p uzun s\u00fcre derslerine devam edemeyen H\u00fcsn\u00fc Bey \u00f6\u011frenim s\u00fcresini ge\u00e7irdi\u011fi i\u00e7in Men\u015fe-i k\u00fcttab<\/span><\/em> \/ askeri katip<\/em><\/span> s\u0131n\u0131f\u0131na ayr\u0131ld\u0131 ve m\u00fclaz\u0131m r\u00fctbesiyle okuldan mezun oldu.<\/p>\n

 <\/p>\n

Onun Katip<\/em><\/span> lakab\u0131 buradan gelir. \u0130lk g\u00f6revi Ekran-\u0131 Harbiye Bahriye Dairesi<\/span><\/em>nin resim ve harita \u00e7izim i\u015fleri idi.<\/p>\n

 <\/p>\n

Suluboya tablolar\u0131n\u0131 kendine has bir teknikle yapm\u0131\u015ft\u0131r. \u00c7al\u0131\u015fmalar\u0131 peyzaj t\u00fcr\u00fcnde olup, daha \u00e7ok deniz manzaralar\u0131, her t\u00fcrl\u00fc tekne, tarihi gemiler, deniz sava\u015flar\u0131n\u0131 tasvir eden konulard\u0131r. Zaman\u0131n Seyr-i Sefain \u0130daresi<\/span><\/em> (T\u00fcrkiye Denizcilik \u0130\u015fletmeleri) taraf\u0131ndan \u0131smarlanan ve idarenin b\u00fct\u00fcn gemilerini kapsayan suluboya bir alb\u00fcm de haz\u0131rlam\u0131\u015ft\u0131r.<\/p>\n

 <\/p>\n

Bahriye matbaas\u0131 taraf\u0131ndan bas\u0131lan Osmanl\u0131ca Bayram Hediyesi \u201cBeday-i Asar-\u0131 Osmaniye<\/span><\/em>\u201d adl\u0131 kitab\u0131, \u00e7izmi\u015f oldu\u011fu 70 adet resimle s\u00fcsledi.<\/p>\n

 <\/p>\n

Pek \u00e7ok levha da yazan H\u00fcsn\u00fc Bey g\u00fczel sanatlar\u0131n di\u011fer kollar\u0131na da ilgi duyuyordu. Kanun ve ney \u00e7alar, \u015fiir yazard\u0131. Fars\u00e7a Arap\u00e7a ve \u0130ngilizce bilirdi. 5.dereceden Mecidi ve G\u00fcm\u00fc\u015f Liyakat madalyas\u0131 sahibi olup, soyad\u0131 kanunu ile deniz anlam\u0131na gelen \u201cTeng\u00fcz<\/em>\u201d soyad\u0131n\u0131 alm\u0131\u015ft\u0131. \u0130stanbul\u2019da vefat etti. Kabri Kas\u0131mpa\u015fa\u2019dad\u0131r.<\/p>\n

 <\/p>\n

\u00d6zellikle \u201cSultan Abd\u00fclaziz\u2019in Londra\u2019da Kar\u015f\u0131lan\u0131\u015f\u0131<\/span><\/em>\u201d isimli tablodaki perspektif derinlik ve ola\u011fan\u00fcst\u00fc f\u0131r\u00e7a kullanabilme tekni\u011fi, sanat\u00e7\u0131n\u0131n de\u011ferini tart\u0131\u015f\u0131lmaz k\u0131lmaktad\u0131r.<\/p>\n

\""H\u00fcsn\u00fc
“H\u00fcsn\u00fc Teng\u00fcz” Ahmet Teng\u00fcz (o\u011flu) Koleksiyonundan<\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

\""Heybeli
“Heybeli Ada Bahriye Mektebi” \u0130stanbul Deniz M\u00fczesi<\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

\""Sultan
“Sultan Abd\u00fclaziz\u2019in Londra\u2019da Kar\u015f\u0131lan\u0131\u015f\u0131” \u0130stanbul Deniz M\u00fczesi<\/figcaption><\/figure>\n

Kaynak\u00e7a:<\/strong> www.dzkk.tsk.tr<\/a><\/p>\n

Ekleyen:<\/strong> H. Altay Yontan<\/strong><\/span><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

De\u011ferli okurlar; Temmuz say\u0131m\u0131zda da \u201cBahriyeli Ressamlar\u201d serimize devam ediyoruz. Bu ayki konumuzda ilk olarak Bahriyeli Ressam \u0130SMA\u0130L HAKKI BEY\u2019i (1863 – 1926)\u00a0sizlere tan\u0131tmaya \u00e7al\u0131\u015faca\u011f\u0131z.   Sanatla kal\u0131n, sa\u011fl\u0131cakla kal\u0131n. G\u00f6koval\u0131 Kay\u0131k\u00e7\u0131.   \u0130smail Hakk\u0131 Bey (1863-1926) \u00dcsk\u00fcdar\u2019da do\u011fdu. Aynac\u0131lar kahyas\u0131 Hac\u0131 Mehmet Ali Efendi\u2019nin o\u011fludur. Sanat camias\u0131nda \u201cBahriyeli \u0130smail Hakk\u0131 Bey\u201d ve \u201cKaymakam \u0130smail …<\/p>\n","protected":false},"author":14,"featured_media":6218,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[212],"tags":[874,129,277,1354,1004,876,875],"class_list":["post-6195","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-sanatta-denizcilik","tag-denizci-ressamlar","tag-denizcilik","tag-denizcilik-egitimi","tag-gokovali-kayikci-yazilari","tag-huseyin-altay-yontan-eklemeleri","tag-husnu-tenguz","tag-ismail-hakki-bey"],"acf":[],"yoast_head":"\nDenizci Ressamlar: \u0130smail Hakk\u0131 Bey, H\u00fcsn\u00fc Teng\u00fcz - 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