{"id":2086,"date":"2011-10-08T21:23:12","date_gmt":"2011-10-08T18:23:12","guid":{"rendered":"https:\/\/e-marineeducation.com\/tr\/?p=2086"},"modified":"2013-03-07T00:41:37","modified_gmt":"2013-03-06T22:41:37","slug":"siya-siya","status":"publish","type":"post","link":"https:\/\/e-marineeducation.com\/tr\/siya-siya\/","title":{"rendered":"Siya Siya"},"content":{"rendered":"

\"\"<\/a>\u0130lk ve son yaz\u0131lar\u0131 yazmak her zaman zordur. \u0130lkinde bir heyecan, sonuncuda ise, genel de h\u00fcz\u00fcn hakim olur. Ben\u2019se ge\u00e7mi\u015fe do\u011fru \u201csiya siya\u201d k\u00fcrek \u00e7ekerek ba\u015fl\u0131yorum.<\/p>\n\n\n\n
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Konumuz \u201cSanatta Deniz\u201d.<\/p>\n\n\n\n
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Deniz ayr\u0131 bir derya, sanat ayr\u0131. E\u011fer her ikisini de seviyorsan\u0131z \u201cayn\u0131 frekans\u201d da bulu\u015fmak kolay. Sanat tarih\u00e7isi de\u011filim. Denizcili\u011fim k\u00fcrek \u00e7ekmekten \u00f6teye ge\u00e7medi. Ancak resim, seramik ve antika konular\u0131ndaki merak\u0131m olduk\u00e7a derinlerde.<\/p>\n\n\n\n
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Bu k\u00f6\u015fede zaman zaman benim yaz\u0131lar\u0131m\u0131 g\u00f6rebileceksiniz. Amac\u0131m Sizlerle bir sohbet havas\u0131nda bilgilerimi payla\u015fmak. Belki birlikte \u00fcnl\u00fc bir ressam\u0131 tan\u0131yaca\u011f\u0131z, belki Londra\u2019daki m\u00fczayede de sat\u0131\u015fa sunulan bir \u201ck\u0131y\u0131 haritas\u0131n\u0131n\u201d sahte olma ihtimalini tart\u0131\u015faca\u011f\u0131z. Ama denizle olan ba\u011flant\u0131m\u0131z\u0131, hi\u00e7 koparmadan.<\/p>\n\n\n\n
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Haydi vira\u2026<\/p>\n\n\n\n
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Bu g\u00fcn sizlere, \u201cdeniz kompozisyonlu\u201d \u00e7ok \u00f6nemli bir tarihi obje grubunu tan\u0131tarak perdeyi a\u00e7mak istiyorum. 7 senedir \u00fczerinde \u00e7al\u0131\u015ft\u0131\u011f\u0131m ve 700 sayfal\u0131k kitap haline gelen bir ara\u015ft\u0131rmam var. Konusu \u201d\u0130znik Seramikleri Tarihi\u201d. Ad\u0131 \u201cS\u0131ralt\u0131\u2019nda Kalan S\u0131rlar\u201d. Bir sene \u00f6nce 450 sayfada bitiriyordum, oldu 700. Hala ucu a\u00e7\u0131k.<\/p>\n\n\n\n
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\u0130znik seramiklerinin \u00f6nemli kompozisyonlar\u0131ndan biri olan denizdeki kalyonlarla birlikte, Osmanl\u0131n\u0131n bu ola\u011fan \u00fcst\u00fc miras\u0131na do\u011fru bir yelken a\u00e7al\u0131m.<\/p>\n\n\n\n
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\u0130znik seramikleri ile ilgili incelenmesi gereken tarihsel d\u00f6nem, 1480 ve 1680 tarihleri aras\u0131nda ki 200 y\u0131ll\u0131k bir zaman dilimidir.<\/p>\n\n\n\n
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\u00d6zellikle 1585\u2019e kadar, \u0130znik seramik at\u00f6lyeleri, Saray\u0131n kontrol\u00fcnde olan ve a\u011f\u0131rl\u0131kl\u0131 olarak Saray\u0131n ihtiya\u00e7lar\u0131n\u0131 kar\u015f\u0131layan bir stat\u00fcde faaliyet g\u00f6stermekte idi. \u00dcretim planlamas\u0131na g\u00f6re, Saray nakka\u015fhanesi deseni g\u00f6nderir, \u00fcretimin her safhas\u0131n\u0131 denetler, hammadde ihtiya\u00e7lar\u0131n\u0131n kar\u015f\u0131lanmas\u0131na yard\u0131mc\u0131 olur ve sonunda \u00f6demeyi yapard\u0131. Mimar Sinan\u2019\u0131n Saray ba\u015f mimar\u0131 oldu\u011fu d\u00f6nemde, \u0130znik at\u00f6lyelerinden de \u201csorumlu\u201d olmas\u0131, Saray\u0131n konuya ne kadar \u00f6nem verdi\u011finin en dikkat \u00e7ekici kan\u0131t\u0131d\u0131r.<\/p>\n\n\n\n
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1571 deki \u0130nebaht\u0131 yenilgisinden sonra Osmanl\u0131 donanmas\u0131n\u0131n toparlanmas\u0131 kolay ve \u00e7abuk olmam\u0131\u015ft\u0131r. Bu sava\u015fta kaybedilen 20.000 usta ve sava\u015f\u00e7\u0131 denizcinin yerine, yeni Levent\u2019lerin yeti\u015ftirilmesi bile 10 y\u0131l s\u00fcrm\u00fc\u015ft\u00fcr. 1580 ba\u015flar\u0131ndan itibaren donanma yeniden yap\u0131lanmaya gidince, \u0130znik seramiklerinde de bir \u00e7e\u015fit reklam ve moral ama\u00e7l\u0131 kalyon desenli obje \u00fcretimleri dikkati \u00e7ekmeye ba\u015flar.<\/p>\n\n\n\n
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Ana kompozisyon denizde giden bir kalyon veya kad\u0131rgad\u0131r. Bir bakars\u0131n\u0131z a\u00e7\u0131k denizlerde pupa yelken giderken, bir barda\u011f\u0131n veya s\u00fcrahinin etraf\u0131nda sanki d\u00fcnyay\u0131 dola\u015fmaktad\u0131rlar. Ba\u015fka bir objede ise, Osmanl\u0131 donanmas\u0131 sanki d\u00fc\u015fman\u0131n\u0131 bekler gibi, adalar\u0131n, kayal\u0131klar\u0131n aras\u0131na gizlenmi\u015ftir.<\/p>\n\n\n\n
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Denizin derinliklerinde bal\u0131klar\u0131 g\u00f6r\u00fcrs\u00fcn\u00fcz. G\u00f6ky\u00fcz\u00fcnde mart\u0131lar bulutlar ve de \u00e7ok enteresan olarak \u201cdragon\u201dlar kar\u015f\u0131n\u0131za \u00e7\u0131kar. Renk paleti zengindir. F\u0131r\u00e7a ve boyama tekni\u011fi hassast\u0131r. Umulmad\u0131k detaylar dikkati \u00e7eker. \u00d6rne\u011fin b\u00fct\u00fcn tekneler \u201cbat\u0131ya\u201d do\u011fru giderler. S\u00fcrpriz olarak bir obje Amerikan dolar\u0131n\u0131n simgesini \u201c($)\u201d g\u00f6rebilirsiniz. (resim 1)<\/p>\n\n\n\n
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Resim 1: Louvre Museum Paris<\/figcaption><\/figure>\n\n\n\n
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Bir “mola” alarak, bu tarihsel ve sanatsal miras\u0131 ne kadar az tan\u0131d\u0131\u011f\u0131m\u0131z\u0131 \u00e7ok k\u0131sa olarak anlatmak istiyorum.<\/p>\n\n\n\n
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Ne yaz\u0131k ki konuyla ilgili akademisyen ve ara\u015ft\u0131rmac\u0131lar\u0131n bir b\u00f6l\u00fcm\u00fc titiz bir \u00e7al\u0131\u015fma yerine, g\u00fcn\u00fcm\u00fcz teknolojisinin nimeti \u201ckopyala\/yap\u0131\u015ft\u0131r\u201d \u0131 tercih ettiklerinden, 1950 lerden itibaren yay\u0131nlanan ve \u00e7ok az say\u0131da olan bilimsel \u00e7al\u0131\u015fmalardaki baz\u0131 \u201cyanl\u0131\u015f bilgileri\u201d g\u00fcn\u00fcm\u00fcze kadar ta\u015f\u0131m\u0131\u015flard\u0131r. \u00d6zellikle m\u00fcze ve \u00f6nemli m\u00fczayede \u015firketlerinin kataloglar\u0131 incelendi\u011finde, \u0130znik seramikleri konusundaki \u201cobjeyi tan\u0131t\u0131c\u0131 bilgi\u201d notlar\u0131 hatalarla doludur. \u00d6rne\u011fin, 106 \u0130znik seramik objesini inceledi\u011fimiz bir \u0130ngiliz m\u00fczesi koleksiyonundaki hatal\u0131 bilgi oran\u0131 % 80.1 dir.<\/p>\n\n\n\n
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Kalyonlar\u0131m\u0131za d\u00f6nersek, yanl\u0131\u015f yorumlanan \u0130ki motifi Sizlere tan\u0131tmak istiyorum.<\/p>\n\n\n\n
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\u0130lki; \u201cbulut\u201d zannedilmesi \u201ckabul edilebilir bir hata\u201d olan \u201cdragon\u201d. G\u00f6ky\u00fcz\u00fcnde g\u00f6r\u00fclen bol k\u0131vr\u0131ml\u0131 bu motif, \u00c7in mitolojisinin ba\u015f akt\u00f6r\u00fc olan dragonun \u201cstilize\u201d desenidir. (resim 2) Saraydaki \u00c7in porselenlerinden etkilenilerek kopyalanm\u0131\u015f ve tamamlay\u0131c\u0131 ve de bo\u015fluk doldurucu \u00f6zelli\u011fi nedeniyle \u0130znik \u00e7ini ve seramiklerinde s\u0131k s\u0131k uygulanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n
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Resim 2: Musee de la Renaissance Paris<\/figcaption><\/figure>\n\n\n\n
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\u201cKabul edilemez bir hata\u201d kapsam\u0131nda olan ikinci motif ise; teknelerin aras\u0131nda dola\u015ft\u0131\u011f\u0131, zaman zaman gizlendi\u011fi, f\u0131rt\u0131nal\u0131 d\u00f6nemlerde ise s\u0131\u011f\u0131nd\u0131\u011f\u0131 adalar topluluklar\u0131d\u0131r. Nakka\u015flar ve uygulay\u0131c\u0131 sanatkarlar bunlar\u0131 \u00e7izerken ve boyarken \u00f6zellikle \u201ckara par\u00e7as\u0131\u201d oldu\u011funu kan\u0131tlamak i\u00e7in \u201ckahverengi\u201d tonlar\u0131nda boyam\u0131\u015flar ve bununla yetinmeyip adan\u0131n bitki \u00f6rt\u00fcs\u00fcn\u00fc de \u00f6zellikle ye\u015fil renk kullanarak vurgulam\u0131\u015flard\u0131r. (resim 3,4,5,6)<\/p>\n\n\n\n
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Resim 3: Louvre Museum Paris<\/figcaption><\/figure>\n\n\n\n
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Resim 4: \u00d6zel Koleksiyon<\/figcaption><\/figure>\n\n\n\n
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Resim 5: Victorian & Albert Museum<\/figcaption><\/figure>\n\n\n\n
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Resim 6: Say\u0131n \u00d6mer Ko\u00e7 Koleksiyonu<\/figcaption><\/figure>\n\n\n\n
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Bu objelere bak\u0131p g\u00f6rmeyen bir k\u0131s\u0131m akademisyen, bu motifi de halen \u201cBulut\u201d zannetmektedir. \u00d6yle ki; \u0130znik \u00e7ini ve seramikleri ile ilgili bir sergi katalogundan ald\u0131\u011f\u0131m\u0131z \u015fu c\u00fcmle \u00e7ok enteresand\u0131r. \u201cBulutlardan \u00e7\u0131kan \u00e7i\u00e7ek dallar\u0131\u201d!…..<\/p>\n\n\n\n
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Sa\u011fl\u0131cakla kal\u0131n.
\nG\u00f6kova\u2019l\u0131 Kay\u0131k\u00e7\u0131<\/strong><\/p>\n\n\n\n
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Resim 7: \u00d6zel Koleksiyon<\/figcaption><\/figure>\n
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Resim 8: Victorian & Albert Museum<\/figcaption><\/figure>\n\n\n\n
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Resim 9: Benaki Museum Atina<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

\u0130lk ve son yaz\u0131lar\u0131 yazmak her zaman zordur. \u0130lkinde bir heyecan, sonuncuda ise, genel de h\u00fcz\u00fcn hakim olur. Ben\u2019se ge\u00e7mi\u015fe do\u011fru \u201csiya siya\u201d k\u00fcrek \u00e7ekerek ba\u015fl\u0131yorum. Konumuz \u201cSanatta Deniz\u201d. Deniz ayr\u0131 bir derya, sanat ayr\u0131. E\u011fer her ikisini de seviyorsan\u0131z \u201cayn\u0131 frekans\u201d da bulu\u015fmak kolay. Sanat tarih\u00e7isi de\u011filim. Denizcili\u011fim k\u00fcrek \u00e7ekmekten \u00f6teye ge\u00e7medi. Ancak resim, …<\/p>\n","protected":false},"author":1,"featured_media":2102,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[212],"tags":[1354,244,242,241,243],"class_list":["post-2086","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-sanatta-denizcilik","tag-gokovali-kayikci-yazilari","tag-iznik-seramikleri-tarihi","tag-omer-koc-koleksiyonu","tag-sanatta-deniz","tag-siraltinda-kalan-sirlar"],"acf":[],"yoast_head":"\nSiya Siya - e-MarineEducation.com<\/title>\n<meta name=\"description\" content=\"Sanatta denizcili\u011fin ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze nas\u0131l i\u015flendi\u011fini anlatan bir yaz\u0131d\u0131r.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/e-marineeducation.com\/tr\/siya-siya\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Siya Siya - 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