{"id":343,"date":"2012-08-21T16:32:42","date_gmt":"2012-08-21T16:32:42","guid":{"rendered":"https:\/\/e-marineeducation.com\/en\/?p=343"},"modified":"2013-12-11T14:54:02","modified_gmt":"2013-12-11T12:54:02","slug":"maritime-theme-on-iznik-ceramics","status":"publish","type":"post","link":"https:\/\/e-marineeducation.com\/en\/maritime-theme-on-iznik-ceramics\/","title":{"rendered":"Maritime Theme on \u0130znik Ceramics"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-347\" title=\"By Boatman\" alt=\"\" src=\"http:\/\/e-marineeducation.com\/en\/wp-content\/uploads\/2012\/08\/By-Boatman.png\" width=\"264\" height=\"65\" \/>It is all along uneasy to write the first and the last text. First one could be exciting and the last one may be prevailed by sorrow. As for me I am rowing backwater to the past.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">The subject is \u201cMaritime in Art\u201d.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">Sea involves a unique life style as well as Art itself. If you do enjoy both then you indeed will be getting on like a house on fire. My seafaring point of view has not transcended oars. Nevertheless curiosity is barely and somewhat a deep sense of mine considering paintings, ceramics and antique materials.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">You will now and then come across with my articles. My aim is to share the knowledge I have gained in terms of a conversation. Perhaps we will be introduced a famous painter, and may be we will have a chance to discuss and investigate whether a <em><span style=\"color: #3366cc;\">coastal chart<\/span><\/em> is an imitation presented in auction in London. We will yet never unlink with the sea.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">Anon set the sails&#8230;<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">Now I will let a group of crucial ancient objects \u201ccomposed of blue\u201d take the stage. I have been working on these for 7 years and effort has come up into a book of 700 pages. The topic is <em><span style=\"color: #3366cc;\">The History of \u0130znik Ceramics<\/span><\/em> having a title of <em><span style=\"color: #3366cc;\">The Secrets Under Underglaze<\/span><\/em>. A year ago it came to an end with 450 pages, as for now is 700 pages still does have open-ended.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">Let us go through this splendid heritage by Ottomans in conjunction with one of the substantial compositions\u00a0 galleons at sea cultivated on \u0130znik Ceramics.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">The historical period to investigate for \u0130znik Ceramics is <span style=\"color: #3366cc;\"><em>200 years<\/em><\/span> of phase between 1480 and 1680.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">Until 1585 in especial, workshops for ceramics have been operating under the supervision of Palace and mainly responsible for satisfying the needs of Palace. In accordance with the production plans, Vignette workshops in the Palace dispatch the pattern, supervise each phase of production, assist in recompensing stockpile and ultimately make payment. It is a marked evidence that the Palace does care about these works considering the fact that Sinan the architect has been the <em><span style=\"color: #3366cc;\">Chief Architect<\/span><\/em> in these days and responsible for \u0130znik workshops.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">After the defeat in Battle of Leponto in 1571, it has not been effortless and immediate for Ottoman Navy to recover. The duration to assign new Jacks has yet been 10 years in the place of 20.000 foremen and mariners. Due to the commencement of recovery for the navy since the beginning of 1580, the view of \u0130znik Ceramics have turned into a sort of advertisement and objects designed as galleon for the purpose of support and morale.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">The main one composed is a galleon or galiot at sea. It seems like they travel around the world stimulated on a cup or such as if it were sailing after mast in open sea. On another object, it seems like the Ottoman Navy is standing by behind the islands or ring reef like behind enemy lines.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">You will see fish deep down at sea. Seagulls and clouds in the sky and fascinating to portray that you will spot dragons. Colour range is prosperous. Brushing is so alive. Details out of blue are drawn attention. For instance all sails proceed to \u201cwest\u201d. You may see the dollars icon \u201c<span style=\"color: #3366cc;\"><em>$<\/em><\/span>\u201d more surprisingly.\u00a0(Picture 1)<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div style=\"width: 301px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/www.e-marineeducation.com\/tr\/wp-content\/uploads\/Louvre-Museum-Paris.png\" width=\"291\" height=\"367\" \/><p class=\"wp-caption-text\">Picture 1: Louvre Museum \/ Paris<\/p><\/div>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>At once I would like to voice we do marginally have an idea of those art and antique heritage.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">Since mostly the academicians and researchers unfortunately copy \/ paste the information instead of working punctiliously since 1950s , <span style=\"color: #3366cc;\"><em>incorrect information<\/em><\/span> on some academic works is present to date. If you examine catalogues published by especially some museums and companies of public sale, there is incorrect information within <em><span style=\"color: #3366cc;\">Introductory Information on Object<\/span><\/em> regarding \u0130znik Ceramics. For instance the percentage of faulty information is 80.1% for 106 pieces of \u0130znik Ceramics collection in <em><span style=\"color: #3366cc;\">English Museum<\/span><\/em>.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>As for the galleons prescribed previously, I would like to introduce two patterns interpreted untruly.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">The first one is <span style=\"color: #3366cc;\"><em>dragon<\/em><\/span> presumed to be <span style=\"color: #3366cc;\"><em>clouds<\/em><\/span> which is a mistake quite <span style=\"color: #3366cc;\"><em>tolerable<\/em><\/span>. That design of multifold in the sky is a style of dragon modified by Chief Actor in Chinese Mythology. (Picture 2) Based on the unique structure and properties of China chinaware in the Palace, that sort of design is typically applied on \u0130znik Tiles and Ceramics.<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div style=\"width: 395px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/www.e-marineeducation.com\/tr\/wp-content\/uploads\/Musee-de-la-Renaissance-Paris.png\" width=\"385\" height=\"367\" \/><p class=\"wp-caption-text\">Picture 2: Musee de la Renaissance \/ Paris<\/p><\/div>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\">The second one, which is a mistake <span style=\"color: #3366cc;\"><em>intolerable<\/em><\/span>, is a group of islands where the vessels sail around and shelter behind during the seasons of stormy. Muralists and artists have used the colour of \u201cbrown\u201d while drawing and painting these figures in order to demonstrate that they are pieces of land as well as using green colour to figure out and emphasize plant cover. (Pictures 3, 4, 5, 6)<\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div id=\"attachment_2094\" style=\"width: 436px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2094\" class=\"size-full wp-image-2094\" title=\"Louvre Museum Paris\" alt=\"\" src=\"http:\/\/www.e-marineeducation.com\/tr\/wp-content\/uploads\/Louvre-Museum-Paris1.png\" width=\"426\" height=\"414\" \/><p id=\"caption-attachment-2094\" class=\"wp-caption-text\">Picture 3: Louvre Museum Paris<\/p><\/div>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div id=\"attachment_2095\" style=\"width: 423px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2095\" class=\"size-full wp-image-2095 \" title=\"Special Collection\" alt=\"\" src=\"http:\/\/www.e-marineeducation.com\/tr\/wp-content\/uploads\/%C3%96zel-Koleksiyon.png\" width=\"413\" height=\"411\" \/><p id=\"caption-attachment-2095\" class=\"wp-caption-text\">Picture 4:\u00a0Special Collection<\/p><\/div>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div id=\"attachment_2096\" style=\"width: 353px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2096\" class=\"size-full wp-image-2096\" title=\"Victorian &amp; Albert Museum\" alt=\"\" src=\"http:\/\/www.e-marineeducation.com\/tr\/wp-content\/uploads\/Victorian-Albert-Museum.png\" width=\"343\" height=\"374\" \/><p id=\"caption-attachment-2096\" class=\"wp-caption-text\">Picture 5: Victorian &amp; Albert Museum<\/p><\/div>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div id=\"attachment_2097\" style=\"width: 398px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2097\" class=\"size-full wp-image-2097 \" title=\"Collection by \u00d6mer Ko\u00e7\" alt=\"\" src=\"http:\/\/www.e-marineeducation.com\/tr\/wp-content\/uploads\/Say%C4%B1n-%C3%96mer-Ko%C3%A7-Koleksiyonu.png\" width=\"388\" height=\"395\" \/><p id=\"caption-attachment-2097\" class=\"wp-caption-text\">Picture 6:\u00a0Collection by \u00d6mer Ko\u00e7<\/p><\/div>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Some academicians could not literally conceive those facts and hereby supposed the figures to be <span style=\"color: #3366cc;\"><em>Clouds<\/em><\/span>. It is really interesting that in a catalogue of exhibition, we do come across with wording saying such that <span style=\"color: #3366cc;\"><em>F<\/em><em>lower sprigs rising upon the Clouds!<\/em><\/span><\/p>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div id=\"attachment_2098\" style=\"width: 413px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2098\" class=\"size-full wp-image-2098 \" title=\"Special Collection\" alt=\"\" src=\"http:\/\/www.e-marineeducation.com\/tr\/wp-content\/uploads\/%C3%96zel-Koleksiyon1.png\" width=\"403\" height=\"434\" \/><p id=\"caption-attachment-2098\" class=\"wp-caption-text\">Picture 7:\u00a0Special Collection<\/p><\/div>\n<div id=\"attachment_2099\" style=\"width: 392px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2099\" class=\"size-full wp-image-2099\" title=\"Victorian &amp; Albert Museum\" alt=\"\" src=\"http:\/\/www.e-marineeducation.com\/tr\/wp-content\/uploads\/Victorian-Albert-Museum1.png\" width=\"382\" height=\"363\" \/><p id=\"caption-attachment-2099\" class=\"wp-caption-text\">Picture 8: Victorian &amp; Albert Museum<\/p><\/div>\n<table style=\"height: 20px;\" border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div id=\"attachment_2100\" style=\"width: 404px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2100\" class=\"size-full wp-image-2100\" title=\"Benaki Museum Atina\" alt=\"\" src=\"http:\/\/www.e-marineeducation.com\/tr\/wp-content\/uploads\/Benaki-Museum-Atina.png\" width=\"394\" height=\"373\" \/><p id=\"caption-attachment-2100\" class=\"wp-caption-text\">Picture 9:\u00a0Benaki Museum \/ Athens<\/p><\/div>\n<p style=\"text-align: justify;\"><strong>Translation By: <span style=\"text-decoration: underline; color: #3366cc;\"><a href=\"https:\/\/e-marineeducation.com\/en\/burak-konakoglu-o-o-w\/\" target=\"_blank\"><span style=\"color: #3366cc; text-decoration: underline;\">Burak Konakoglu<\/span><\/a><\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It is all along uneasy to write the first and the last text. First one could be exciting and the last one may be prevailed by sorrow. As for me I am rowing backwater to the past. The subject is \u201cMaritime in Art\u201d. Sea involves a unique life style as well as Art itself. If [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":349,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[71,180,69,51,70],"class_list":["post-343","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-marine-in-art","tag-boatman-from-gokova","tag-burak-konakoglus-translations","tag-ceramic","tag-marine-in-art-2","tag-omer-koc"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Maritime Theme on \u0130znik Ceramics | E-Marine Education<\/title>\n<meta name=\"description\" content=\"In this page, maritime theme in Iznik Ceramics is explained.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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